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Born in 1951
Bacher is a U.S. visual artist who transcends painted light through the use of phosphorescent pigments. This allows him to bring to life the hypnotic dreamscape of the city street: dense, garishly bright and energy-hungry. Featured in many U.S. museum collections, Bacher’s painting takes a sociological approach that presents a revealing, disorienting perspective on present-day America.
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Born in 1961
Mark Dion lives in Pennsylvania. For more than twenty years, he has been exploring the convergences between art and science, visions and production of knowledge, collecting and methods of presentation. By taking the place of an amateur scientist, a collector, a historian or a biologist, Mark Dion offers an often humorous but critical view of the relationships between culture and nature. He displays a worrying concern for the fate reserved by man for his environment. |
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Born in 1944
El Anatsui has been living and teaching in Nigeria for 14 years. He
has taken part in joint exhibitions in Ghana, Great Britain, the United
States, Germany and South Africa and has been given solo exhibitions in
Nigeria, the United States, Great Britain and Denmark.
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Born in 1941
Born in 1941 in the province of Salerno in Italy, Gerardo Dicrola has lived in Paris since 1970 and declares himself an artist of the ephemeral, of the moment and of the present. Originator of the “Processus Art”, he advocates an ever-changing art. His highly personal work has evolved from matterism to an iconological critic of our time. |
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Born in 1964
This artist and director of Italian-Canadian origin lives and works in New York. His oeuvre was exhibited at the New Museum of Contemporary Art, the Kunsthalle Bern, and alongside the Sundance and Cannes film festivals. His works are part of the permanent collections of important art centres such as the Guggenheim Museum, the San Francisco Museum of Art and the ARCO Foundation in Madrid.
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Born in 1971
Samuel Rousseau lives in Grenoble. He creates video works which always express a taste for the commonplace, the ordinary, poor forms, the trivial objects borrowed from everyday life and the domestic universe. But the use he makes of them gives his works a character which is at once insolent, profane, poetic, modest and fabulous.
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